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The Miami Art Journal

The Artists

New York Autumn Shows Highlight African Architecture and Arthur Jafa

The Editors ·

New York Autumn Shows Highlight African Architecture and Arthur Jafa

A report outlines key exhibitions opening in New York this season, including a survey of post-liberation architecture in West Africa and a major survey of Arthur Jafa.

The Centre International du Commerce Extérieur du Sénégal, designed by architects Jean-François Lamoureux and Jean Louis Marin, is featured in an exhibition at the Museum of Modern Art. The show runs until January 2, 2027, and focuses on creative architecture that flourished in West Africa during the 1960s. This period coincided with a cultural blossoming across the region, marked by seventeen nations gaining independence in 1960, following Ghana’s break from the United Kingdom in 1957. Artists and architects sought to redefine their place in the world through genres that melded local traditions with modern aesthetics.

The exhibition presents four hundred objects from Senegal, Côte d’Ivoire, Ghana, Togo, Benin, Nigeria, and Cameroon. These items were created between the 1960s and the early 1980s. Most of the objects are on public display for the first time. The collection includes architectural drawings, models, and archival images. These materials are joined by newly commissioned photographs and videos. Together, they provide a view of cityscapes inspired by the political ideas of Pan-Africanism and Africanisation. The display aims to address a gap in historical coverage, as this creative architecture was often overlooked in previous narratives.

At the New Museum, Arthur Jafa’s first United States museum survey occupies two floors of the institution’s recently expanded space. The exhibition runs from September 25 to January 5, 2027. Jafa, who is known for weaving the emotional works of legendary Black musicians into his videos, named the exhibition after the late jazz drummer Tony Williams. Williams was a child prodigy who launched his career playing with Miles Davis as a teenager in the 1960s. The show covers the breadth of Jafa’s nearly forty years of artmaking. It uses the syncopation and texture of jazz to explore Black culture, systemic racism, and the experience of being an American.

The survey includes works ranging from early student films to Jafa’s most famous pieces, such as Love Is the Message, The Message Is Death, created in 2016, and The White Album, which won the Golden Lion in 2019. A newly commissioned work will premiere alongside these existing examples. The exhibition also features Jafa’s forays into more static forms of art. The New Museum’s expansion provides the spatial context for this comprehensive look at his practice.

Other shows mentioned in the report include exhibitions celebrating Arthur Jafa and Teresa Margolles, as well as works examining the legacy of Orientalism. The itinerary for the season includes a survey of Alison Knowles, a co-founder of Fluxus. These various presentations span different disciplines, from visual art to architecture, reflecting the diverse programming of New York institutions during the autumn months. The report identifies these as standout shows for the season, noting the variety of subjects and historical periods covered by the current exhibition cycle.

Takeaway: The Museum of Modern Art displays four hundred objects of West African architecture from the 1960s and early 1980s until January 2, 2027.

Source: The Art Newspaper